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While regime propagandists and functionaries denigrated many modern art forms as »Entartete Kunst,« photographic imagery continued to be in high demand, and many »Bauhäusler« took photographs as portraits, documentation, and art. It is therefore no coincidence that the only two Bauhaus members known to have gone into armed resistance against the Nazi regime—Willi Jungmittag and Paul Guermonprez—were both photographers.

Yet other Bauhaus photographers made very different choices; communist activist Fritz Heinze became a photographing bystander to Nazi atrocities, and Alfred Ehrhardt glorified German and Scandinavian landscapes and their people in aestheticized images tailor made to please regime ideologs.

This gave them access to a visual language of specificity that brought a very different set of potentials and dangers than existed for those Bauhaus members practicing in fields such as architecture, craft, or industrial and interior design. The talk will be given as the opening of the 20th research colloquium for the theory and history of photography.

It will be also available on Zoom. Please email us for the link. Institutions including the Alexander von Humboldt Foundation, the Getty Research Institute, the National Gallery of Art, and the US Holocaust Memorial Museum have also supported her work.

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In , Otto co-curated the exhibition »Bauhaus and National Socialism,« held in the German city of Weimar, which received the Justus Bier curatorial prize. At the University at Buffalo, State University of New York, she serves as Director of the Humanities Institute and Professor of Modern and Contemporary Art History.

The modern nineteenth and twentieth century epistemology, aesthetics and politics are based on »raw« or »real« data, an elusive and often only implicitly understood entity. In the middle of the twentieth century, synthetic data artificial data that look like real data emerge in various technoscientific contexts and gain prominence today with the so-called generative AI.

The talk will address the shift from real to synthetic data as a framework for the current transformations of the photographic medium as well as the shifting relationship between our understanding of the natural and the artificial. As always, we are happy to welcome all inside and outside the university who are interested in attending.

Participation is free, a reservation is not required. Also as always, the second of three talks is on campus only. We are very much looking forward to April 24, when we will welcome Michelle Henning , Professor for Photography in Media at the University of Liverpool for our next Folkwang Photo Talk.

Michelle will speak about »The Significance of Photographic Technologies: Infra-Red and Far-Right Imperialism. I show how infra-red photography — a new technology in the s, became harnessed to right-wing claims regarding British imperial superiority, and understood as representing the pinnacle of both technical and aesthetic achievements.

The technology helped to align both scientific and aesthetic modernity with British imperial power at a moment when the Empire was being challenged by liberation movements and anti-colonial uprisings. The talk will be held online via zoom and will start at 6 pm CEST Essen which is 5 pm GMT Liverpool or 12 pm EDT New York.

Please email us for the zoom link. Everybody is welcome! He is the Director of the Fine Arts Doctoral Programme, specializes in, installations, sound, new media and real-time 3D, VR and interactive technologies. Within the broader field of visual arts, his work is distinguished by a sustained engagement with new and emergent technologies, documenting this research predominantly through public exhibitions and publications.

His areas of expertise include Interactive Art, real-time 3D, VR, AR, Mixed Realities, Physical Computing, Electronic Art, Installation, Internet Art, Video Art, Film, Sound Art, and Performance Art, and he has a background in film sound post-production. As an academic, he has been actively engaged in creating caring and supportive, self-directed learning environments for teaching emergent technologies for creative practices in both undergraduate and postgraduate programs.

April 23, , 6 pm CEST, Folkwang University of the Arts, Quartier Nord, 2. Der Vortrag ist online, der zweite bei uns im Quartier Nord, der dritte hybrid. Wie stets sind alle Interessierten herzlich willkommen. Eine Anmeldung ist nicht nötig. Wir werden über jeden einzelnen Vortrag rechtzeitig genauere Informationen publizieren.

We are looking forward to welcome Dr.